A lot of different emotions surface with this documentary. At the center, it’s a light-hearted affair, but so is the music. None of these songs were about politics or war. Probably why it was such a part of our lives.
Funny too, to be around long enough and see how sheep-ish the public can be, venomously aiming to humiliate and destroy something at the time of it’s creation, to decades later acting like ‘oh yeah well I always loved them’. This is where a Black Mirror video recall would be such sweet revenge.
As an earlier example, I hear so many acknowledge The Carpenters for their song and arrangement genius today, not to mention Karen’s perfect vocals. But if you’re old enough to remember, they were absolutely slayed by the press, and by media in general at the time of their run. It’s hard to even imagine living in the music world with that kind of hate and vitriol. They were not the cool kids, but instead had to perform on sterile, vapid TV variety shows alongside a vaudevillian array of acts like The Osmonds, polka dancers, jugglers and ventriloquists.
I remember a female DJ on an LA rock radio station even saying at the time of Karen Carpenter’s death, something to the effect of ‘If I made music like that I wouldn’t be able to eat either’. That’s how bad a time it was for bands like The Carpenters, Bread, ABBA… It was torture to be outside of Jann Wenner’s highly coveted critic darlings, and if you didn’t make that list, you at least had to be considered ‘rock’, i.e., Journey, Boston, KISS etc. You didn’t get critic love, but you sold seats and records.
And that’s what’s so gratifying about this DOCKumentary and newfound celebration, even with it’s backhanded compliment title. None of these bands were uttered by Rolling Stone, Robert Hilburn, Robert Christgau or any other high priest music critic. Instead these ‘writers’ preached to us how much this music sucked. Not one of these unmusical geniuses ever pointed out to it’s readers that a guitar-great like Steve Lukather could be playing on all those masterful hit records at one time while in a hit band, or that a background session singer as ubiquitous as Michael McDonald could also be writing, cowriting and singing hits of his own.
But musicians knew. Average people who loved to be uplifted by music knew, too.
So beyond being long overdue, it’s also nice to see it as this giant, rising middle finger to the rock media of it’s time, because this music continues to live and thrive while it’s the critics and their darlings who are passé now. Bob Dylan, U2, Nick Cave & PJ Harvey with all their merits, are not what people play when they want to have a good time. We’ll let that certain tribe of critics and pretentious music supervisors continue to push these artists as though they represented our daily lives, but in truth they did not. Radio was king, and radio played upbeat songs and heartfelt ballads. Yes, hacks [deleted] were abundant, as it always has been, and sometimes hard to endure, but the originals were true greats.
So put on the Yacht Rock playlist and watch the party come to life. Cheers to some well deserved acknowledgment for all these brilliant musicians and artists. They took a licking and keep on ticking.
Cheers, Jude
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It seems that in music, film, and literature, the cardinal sin “being popular with the masses”. I remember when “Cracked Rear View” came out. I loved that record. But Hootie and the Blowfish soon got that same knock. Critics just want to be “exclusive”.
I loved the musicians (that you all mentioned), and I still love them to this day! I have not been able to see the “Yacht Rock” movie, but I hope to soon. (Our house is the only one on my street, so we are not monetarily “important” enough for the cable companies to set us up for service. We live just off of a major highway; and we told them that we would pay extra for them to set us up over the extra distance, but we have been told that they cannot do that on several occasions.🤣)
One artist that I thought of that hasn’t been mentioned (and I’m not sure if he qualifies for the nickname) is Cat Stevens. I have an older brother who had several of his albums; and from the age of approximately 10 years on until now, I love–and still listen to–a lot of his music.
Thank you so much, Jude, for taking the time to write and post in order to share your thoughts and concerns with your fans. Your writing–like your music–is top notch!!!
❤️ Lynn
I’ve been a yacht rock enthusiast since I was able to own my own portable AM radio, and still too young to know or care that these awesome artists were not being given the credit they deserved, I just lived the music and have never stopped listening to it! It remains the core of what goes into my ears in the car and at home, and I’ve always felt the same about them all. They were all amazing then, and as you started in different words, they are amazing today and live on despite the critics of their time, and they are truly STILL loved by millions! You always have such thought provoking posts.I love how your acknowledge something poignant without worry of what someone else might think, because it’s your thoughts and perspectives and it’s always done with class! Thank you Jude, Your are in my yacht rock category as well, and I’ve never understood how your awesome music doesn’t bend everyone’s ear to it. Cheers Jude!
I’ve always been the opposite of a ‘cool kid’ when it comes to music. At school I was buying and listening to stuff that would instantly get a raised finger and a groupthink ridicule but to this day, still love the albums (Daryl Hall – 3 Hearts.. Bee Gees – ESP Jean Beauvoir, Hall & Oates, etc) and as a massive Toto fan, would actively seek out albums on which they did session work, particularly Steve Lukather and Jeff Porcaro, which is probably where I crossed into yacht rock, though back then that phrase didn’t exist in the UK, it was just called ‘weedy shite’
Pablo Cruise!!!
This was quite the different time in music where a large number of enjoyable artists did not get their due. Many are still working and touring today. Power to them.
I agree about Robbie Dupree. All us on air types called it “Steal a hit.”
Great post. I have always thought Karen Carpenter had just perfectly pure vocals. Its fun hearing young and older people at work talking about how much they appreciate yacht rock.
Never been ashamed to say that I love Yacht Rock. Christopher Cross has been and still is one of my all-time favorite artists. I’ve seen him in concert 3 times and he’s not only a talented songwriter and guitarist, but he’s such a nice guy. I love Robbie Dupree’s 1980 album with “Steal Away” and “Hot Rod Hearts”. Exile, Orleans, Starbuck, Pablo Cruise, Michael McDonald, Dan Fogelberg, Bread, Player, Gerry Rafferty, England Dan and John Ford Coley…I’ve loved them all since i was 6 years old!
I too am from the era of “yacht rock”. I remember the hate for so much of this music and I never could understand why. I remember my older Sister spinning the Carpenters first album, Seals and Crofts, Chicago, England Dan and John Ford Cooley. These artists, and many more like them were the soundtrack of my youth. Baker Street, Ride Like the Wind were just examples of my tastes as a youngster (I’m 56 now). As part of getting back into vinyl, many of the LPs I have revisited are “yacht rock” artists. It is great to go back to a simpler time when music was great. Great musings, as always, Jude. Hope everyone had a great turkey day!! Rock on! -Michael
I so enjoyed this documentary too, loved the music back then as I do today, gone and seen the Yacht Rock bands such as YR Revue several times and it was so part of the soundvtrack of my life ,just as your music Jude has been.
These artist were so talented , Steve Lukather he was a masterful studio musician amongst many of that day and time, could do anything. Yes what a great time to be alive and listen to this great musicians and tge music they made.
Again THANK YOU for contributing so much to my sound track of my life, keep up the good work on your music and the this blog , it’s really refreshing hesringbyour perspective on all things music and more
I’m category-less as well so I feel this whole genre’s pain 🙂
Gotta proof read my replies before posting , sorry father fingers
Father was just me being 😁 fat not father
I’m reading the Michael McDonald bio right now. (I’ve read a lot: McCartney, Springsteen, Keif, Fagen, Nell, Pete, Petty, Levon…). The writing isn’t great – cowritten with Pau Reiser (??). But it’s interesting. I always thought of MM as this sophisticated, mysterious super-musician, but he is quite disarming and honest about a lot of f-ups. I’m still at about 1980, so he hasn’t written I Keep Forgetting yet, please no spoilers. I gig Takin It To The Streets and Keep Forgetting, with great joy.
Oh man, I love the song Steal Away. What’s the history behind the song? Or will the documentary reveal this for me?
You and a lot of other people! I’ve since been introduced to Robbies later records, which I like a lot more. This song always represented the most shameless hacking, but I say that with at least the respect of knowing he had a major hit with it. That’s never as easy as it sounds.